Free Disc Golf Clip Art Women Disc Golf Art

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If yous've ever taken an fine art history grade or spent fourth dimension in a fine arts museum, chances are you know a lot almost the men who "defined" their mediums. Every bit with other subjects, well-nigh of what we learn about art history today nevertheless centers on white men from Europe and, later, the United States. In reality, there are so many more artists of all genders to learn from and appreciate.

Hither, we're specifically taking a wait at only some of the women who accept had lasting impacts on their art forms. From some of the fine art world'south most iconic pioneers to its virtually unsung heroes, these women artists all had a manus — and, in some cases, still accept a hand — in irresolute the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than than xxx years. Later on studying the piece of work of painters like Cézanne and Monet while abroad, she returned to the U.s.a., becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Flick Stills (1977–lxxx). series. Photos Courtesy: Museum of Modernistic Art (MoMA)

Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is perchance most well known for her series of Untitled Film Stills (1977–eighty) — cocky-portraits in which Sherman "posed in the guises of various generic female person film characters, amongst them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A withal from the performance Cutting Piece, 1964, and a flick of the installation Half-A-Room, 1967, every bit seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

Y'all might first call up of Yoko Ono as a musician and activist, only she's likewise an accomplished operation and conceptual artist. Ono was considered a pioneer in the operation art motion, earning the nickname the "High Priestess of the Happening".

1 of her most revered works, Cutting Slice, was a performance she first staged in Nihon; Ono saturday on stage in a nice suit and placed pair of scissors in front of her, and, in an act of daring vulnerability, invited audition members to come up on phase and cut away pieces of her clothing. "Art is similar animate for me," Ono has said. "If I don't do information technology, I outset to choke."

Betye Saar

Betye Saar'due south Black Girl'due south Window, 1969 (total and detail). Photos Courtesy: Museum of Mod Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in turn, role of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the pull a fast one on is to seduce the viewer," Saar has said. "If you tin become the viewer to look at a work of art, then you might exist able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It'south rare to find someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is best known for exploring themes like expiry and identity through her self-portraits. Kahlo often used assuming, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, but she'due south also known for her hyper-existent sculptures, polka dots, installations, and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms serial, which employ mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Sometime First Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian'south National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, frequently doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that y'all recognize Sherald'south work — and her signature grayscale pare tones — as she was the commencement Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her series, Pelvis Series Cherry With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, yous likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, but peradventure, the skyscrapers of New York City. In the 1920s, she was the starting time adult female painter to gain the respect of the New York art world, all by painting in her unique manner.

Adrian Piper

Adrian Piper wins the Golden King of beasts for best creative person in Okwui Enwezor'southward biennial exhibition All the Earth's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question order, identity, and racial politics by demanding the audience to face truths about themselves. She frequently challenged people on the streets of New York to approximate her race, socio-economical class, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photo in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, picture, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat'due south works oft create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertisement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act equally meditations on various concepts, such as trauma, knowledge, and hope. One of her more notable works, I Odor You On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore'south art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the beginning Indigenous adult female to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation art and sculptures — like the spider in a higher place — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the fine art earth.

Mickalene Thomas

Mickalene Thomas' A Footling Sense of taste Outside of Dear, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular civilization and popular art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal piece of work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was 1 of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the office of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art programme in the The states.

Augusta Savage

Augusta Savage with 1 of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating scenic sculptures, ofttimes of Black folks, Barbarous founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years after, she became the offset Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative functioning art practices, Carolee Schneemann is considered the progenitor of "body art". (Simply look upwardly her nigh famous piece of work, Interior Whorl, and you'll see what we mean.) She used her body to examine women'south sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal society.

Nan Goldin

Nan Goldin'southward Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In addition to documenting New York City'south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to yous? Well, that'south the thought! Elaine Sturtevant, who went by her terminal name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-correct copies of large-proper name artists' piece of work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art civilisation.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'south last public commission was the Garden of Remembrance at San Francisco Land University, which was created to recognize Japanese Americans who were interned during Earth State of war II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on Nov eight, 2007 in New York Urban center. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of ix. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Impact Honour at the Indiecade Festival in 2020 and the Creative Accolade from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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